training


Why Doesn’t Kata Look Like Fighting?

This question comes up, often, with new karateka, disillusioned karateka, and people who practice (or at least closely follow) combat sports, and they have a fair point–kata does not look much like what most people consider “fighting.” Really, it doesn’t even look like what most karateka consider fighting, which is competition-style kumite (sparring). Kata teach you to use strong, rooted […]

nagamine kusanku

Morote-uke (double receiver/"block")

The Parry-Pass Method – Karate’s Universal Defense

Uke-waza (receiving techniques), as has been discussed before, are much more than just blocks, but they often incorporate defensive methods in their movements. While karate has a wide array of methods for defense, the most universal is probably the “parry-pass” style of blocking. Essentially, this is a method of blocking where one hand parries the attack to the side, and passes […]


How to Bunkai

Bunkai (lit. “take apart, analyze”), in the context of karate, is the practice of breaking down kata and working on developing applications for their movements, but sometimes it can be hard for karateka to figure out how to apply kata movements on their own. This is compounded by the fact that many instructors still only teach basic “block-punch-kick” applications for […]

how-to-bunkai

bubishi book

Book Review – Bubishi: The Classic Manual of Combat

The Bubishi is considered, by many, to be required reading for any karateka. It is a collection of essays, recipes, and diagrams transferred to Okinawa from China–most likely in small sections over time–and it is believed to be related to, or part of, a Chinese war manual called the Wu Bei Zhi, which was written in the 16th and 17th […]


Kamae Bunkai – Static Postures or Active Techniques

Most traditional martial artists who practice styles from Japan or Okinawa will be familiar with the word “kamae,” which literally translates to “posture” or “pose,” in the context of martial arts. It is typically used to refer to either specific arrangements of the arms, or of the entire body, as a whole–not to be confused with “tachi,” or “stance,” which […]

Kojo Hideki demonstrating the fudou-gamae (immovable posture) of Kojo-Ryu

denwood

Interview with Chris Denwood

Chris Denwood is a karateka, fitness expert, researcher, and the author of “Respecting the Old, Creating the New,” and “Naihanchi (Tekki): The Seed of Shuri Karate Vol. 1.” The latter is easily the most comprehensive book on Naihanchi Shodan fundamentals that I have ever read, and I highly recommend it to anyone who practices Naihanchi kata that can be traced back […]


Using Examples of Karate Methods from Other Arts

Martial arts come in a wide array of styles and methodologies, but they are all connected by the human body and laws of nature, so even among wildly different systems, founded centuries and countries apart, there can be found many similar, related, or complimentary methods. While many martial artists prefer to segregate styles and promote the isolationist idea that each […]

genki sudo

hanshi-perry-takedown

Is Karate a Grappling Art?

Lately, my friends over at Karate Culture have been posting videos, like the one above, that connect kata to techniques found in mixed martial arts, and various grappling arts–something I have also done, although on a smaller scale. This has brought with it some argument as to the nature of karate. As with most such arguments, this one is not […]